the vfx supervisor Work with me
The VFX Supervisor Daily · #18 ·

AI is moving into Nuke and Resolve, so bid for new workflows

Both main finishing tools now plug into AI assistants, which may shift how you scope compositing and post hours. Meanwhile UK studio money keeps flowing, and cross-border vendor ties are winning real shot counts. Worth checking pipeline assumptions before the next bid.

Take today's issue your way

Read it

The issue is right below.

Watch it

Correction: At 5:44 (and 1 more time), it says 300, a figure the sources don't give.

Studios and incentives

UK public money is backing new stage space outside London. More capacity could ease competition for stages and may widen where UK-based productions shoot, which matters if you bid against or alongside British vendors. The NSI lab headline hints at similar training investment elsewhere, but there is no detail to act on.

AI in pipelines

Nuke and Resolve are both gaining AI hooks. Generative elements inside the comp graph and assistant-driven automation in post could trim routine hours, so your bids may need to say where AI is allowed and how it is priced. Nuke 18.0 is only in beta, so treat it as something to test.

Notable shows and credits

Invisible work like environment extensions and small digital fixes is a steady source of work on series. Seeing how a vendor presents it shows what producers value in a showreel for this kind of job.

Vendor partnerships

An Indian studio won 300 shots on a feature through a regional producer relationship built on trust. It suggests overflow work can go to well-connected partners, which is worth knowing when you weigh outsourcing or compete with it.

6 links checked when this went out, 0 dead.

Get The VFX Supervisor Daily every morning, your way

Your format

Email opens soon. I'll confirm by email before anything else, and nothing else arrives until you say yes. Until then, read every issue here or in RSS. Privacy note.

RSS · JSON Feed · Made with Overscan