the vfx supervisor
Work with me

VFX that holds up on the day, and in the budget.

I am a VFX supervisor and producer. I run VFX on film and television, and I build the tools that let a small department do the work of a big one. I help you see the shots clearly, bid them properly, and get them made.

Based in Copenhagen. On site, remote or hybrid.


Offers

Four ways to work together

01

Breakdown and bid review

For: a producer or line producer holding a VFX bid they cannot yet read.

What it is: I read your script or cut and your bids, and tell you where the number is right, where it will move, and which "we will do it with AI" promises are real. You get it in writing, shot by shot, before you sign anything.

How it starts: send the script or cut and the bids you have. I reply with what I need and when you will have it.

02

Supervision for your show

For: a feature or series with VFX that needs one person who owns it from script to delivery.

What it is: I run the VFX for your production: breakdown, bidding vendors, the shoot, review and delivery. On set when it matters, remote when it does not.

How it starts: a call about your script and schedule, then a short written plan with what I would do first.

03

AI-assisted pipeline for your production

For: a production or small studio that wants the speed of AI tools without losing control of the shots.

What it is: I set up and run the tooling I use on my own shows (for example Breakdown Studio) on yours, with the checks that keep a person in charge of every decision.

How it starts: a call about where your time goes today. We pick the one step that costs you the most and start there.

04

A brief for your business

For: a business that has to publish to be noticed, and wants a regular note to its customers on what changed in its trade, under its own name.

What it is: I set up Overscan with you: your sources, your readers described in your words, a draft every morning that waits for your approval. You see a week of real drafts before anyone else does. Sending by email to your readers is coming; until then the approved issue comes to you, to send through the tool you already use.

How it starts: a short call about what you would send and to whom. Setup is a paid engagement, quoted after the call.

Not sure which fits? Tell me what you are working on and I will say so.


Tell me about your project

Tell me about your project

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